Digital media in the Entertainment industry

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Table of contents

1 INTRODUCTION
2.1 BACKGROUND
2.1.1 PROFILE OF “BTS”
2.2 CULTURAL PARTICIPATION ONLINE
2.3 CHALLENGES IN THE KOREAN MUSIC INDUSTRY
2.4 IMPORTANCE OF THIS STUDY
2.5 AIM OF THE STUDY
2.6 THESIS STRUCTURE
3 LITERATURE REVIEW
3.1 DIGITAL MEDIA IN THE ENTERTAINMENT INDUSTRY
3.2 COMMUNITIES’ FORMATION AND PARTICIPATORY CULTURE
3.3 SUMMARY
4 THEORETICAL FRAMEWORK
4.1 DIGITAL MEDIA PRACTICE
4.2 ONLINE COMMUNITIES’ PRACTICES
4.3 PARTICIPATORY CULTURE
4.4 SUMMARY AND RELEVANCE OF THEORIES
5 METHODOLOGY
5.1 METHODOLOGICAL APPROACH
5.1.1 CONTENT ANALYSIS
5.1.2 ONLINE SURVEY
5.2 DATA SELECTION
5.2.1 ONLINE COMMUNITY SELECTION
5.2.2 TWITTER ACCOUNT SELECTION (BTS)
5.3 DATA COLLECTION
5.4 METHOD OF DATA ANALYSIS
5.5 TWITTER AS A FORM OF “ENGAGEMENT”
5.5.1 VARIABLES DESCRIPTION
5.6 CHALLENGES, PROBLEMS, AND SOLUTIONS
5.7 ETHICS
6 RESULTS AND ANALYSIS
6.1 ARTIST ONLINE MEDIA PRACTICES
6.2 FAN ONLINE MEDIA PRACTICES
6.3 PARTICIPATORY CULTURE AND SHARED PRACTICES
7 CONCLUSION AND DISCUSSION
7.1 DISCUSSION AND REFLECTION
7.2 LIMITATION
7.3 FURTHER RESEARCH AND CONTRIBUTION
8 REFERENCES
9 APPENDIX A
10 APPENDIX B
11 APPENDIX C
12 APPENDIX D