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Table of contents
1. INTRODUCTION
1.1 PURPOSE AND RESEARCH QUESTION
1.2 DELIMITATIONS
1.3 DISPOSITION
2. BACKGROUND
2.1 DIGITAL SOCIETY
2.2 TRADITIONAL INTIMACY
2.3 DIGITAL INTIMACY
2.4 ASMR
2.4.1 GIRLFRIEND ROLEPLAY ASMR
3. PREVIOUS RESEARCH
3.1 THE FIELD OF DIGITAL INTIMACY
3.2 THE FIELD OF MEDICINE
3.3 THE FIELD OF GENDER
3.4 THE CONTRIBUTION OF THIS STUDY
4. METHODOLOGY AND MATERIAL
4.1 RESEARCH DESIGN
4.2 RESEARCH TRADITION
4.3 SEMIOTIC ANALYSIS
4.3.1 VIDEO ANALYSIS
4.4 OPERATIONALIZATION
4.5 STRATEGIC SELECTION
4.6 YOUTUBE AS SEARCH ENGINE
4.7 SELECTION PROCESS
4.7.1 MATERIAL
4.8 VALIDITY AND RELIABILITY
4.9 RESEARCH DILEMMAS
4.10 METHODOLOGICAL REFLECTION
5. THEORY
5.1 OVERVIEW OF THEORIES
5.2 THE THEORY OF DRAMATURGY
5.2.1 FRONTSTAGE AND BACKSTAGE
5.3 THE MALE GAZE
5.3.1 THE SEXUALIZATION OF WOMEN
5.3.2 INTERNALIZED MALE GAZE
5.4 GENDER DISPLAYS
5.4.1 THE FEMININE TOUCH
5.4.2 LYING DOWN
5.4.3 INFANTILIZATION
6. RESULT
6.1 SETTING AND PROPS
6.2 STORYLINE AND HAPPENINGS
6.3 EMOTIVE WORDS AND PHRASES
6.4 POSITION AND BODY LANGUAGE
6.5 APPEARANCE AND CLOTHING
7. ANALYSIS
7.1 THEATRICAL PERFORMANCES
7.2 IN THE EYES OF THE MALE
7.3 DISPLAYING GENDER
8. DISCUSSION
